My 10th and final fringe outing was this beautiful gothic adaptation of the Little Red Riding Hood story. The well-cast group of 5 actors brought these twisted and dark characters to life in the tiny Playhouse Studio amidst a slightly cluttered but nice to look at space. The story was put together almost as if a dream, in which a small image or single world will spin out a complete change to the space and intent of the characters. Each scene on its own was well thought through, however the larger-picture fell apart a bit. The piece seemed to lack an outside eye, one which could string together the beads of the widely varying scenes through an overall sense of arch and style.
In short, the piece felt under-directed. The actors, being skilled, made the scenes come to life, however the play was not served by the scattershot sense of transition between the scenes. Transitions that could have been seamless were clunky, and some that should have been sudden and jarring were unclear (not always shifted by all performers at the same time). Thus the effect was lost overall. Whereas the audience should have left in a reverie, I personally left without this clouded and murky, dark feeling.
This was a great play, and a good production. Unfortunately you could see the potential for it to be a great production, which for me is always disappointing.
Tuesday 29 July 2014
Monday 28 July 2014
Only Just. . . by Megan Andres @ Winnipeg Fringe
Only Just. . . begins with the feeling of a typical romantic comedy. We have the "it girl" who has just broken up with the classic "nice guy" after his sweet and romantic (if not a touch forward) gesture, surrounded by the typical "goofy best friend" and "sweet but perennially single" female best friend. Andres provides a twist from the start, however, by playing with time. We quickly learn that we have actually begun at the end, and the subsequent scenes either explain or provide context to what came before, as we piece together the facts of what has occurred with these four friends. The result is that these characters, who in the snapshot moment at the start may seem like stereotypes, actually flesh out into real, living, and 3-dimentional characters. None are quite as simple as they initially seem.
The audience are left feeling the helplessness inherent in any situation when a choice is made, and upon reflection, we wish we'd chosen differently. By travelling backward through time, Andres' characters remind us that even if we did have a time machine as it-girl Naya dreams, when we go back, the past will play out in the same way. We can't change it. Fate, inevitability, or whatever you want to blame it on, we're doomed to make poor choices when it comes to handling other people's (and our own) feelings.
The performances were equally strong in this cast of four. In some moments the direction and staging did not serve the pace of the play suitably; for example some phone calls began in dark as the character came across into the space. A couple adjustments to the staging would have ultimately helped the piece hurl forward, and amplify the feeling of helplessness to ever fully fix the situation.
The audience are left feeling the helplessness inherent in any situation when a choice is made, and upon reflection, we wish we'd chosen differently. By travelling backward through time, Andres' characters remind us that even if we did have a time machine as it-girl Naya dreams, when we go back, the past will play out in the same way. We can't change it. Fate, inevitability, or whatever you want to blame it on, we're doomed to make poor choices when it comes to handling other people's (and our own) feelings.
The performances were equally strong in this cast of four. In some moments the direction and staging did not serve the pace of the play suitably; for example some phone calls began in dark as the character came across into the space. A couple adjustments to the staging would have ultimately helped the piece hurl forward, and amplify the feeling of helplessness to ever fully fix the situation.
Monday 14 July 2014
The Fringe is Upon us!
It is that week of the year when the Exchange District in Winnipeg becomes overwhelmed with excitable theatre-goers, looking for the "best" show, some curry, and a beer. For me, the BEST show is one that gives you all three at once!
In honesty though, we can all get caught up in the reviews, the drama (offstage) and the politics (back stage) so lets' try not to this year, by following my simple steps.
Performers - Be honest and truthful to the show and performance you have worked on. Remember that only very rarely are we in a "hit", and that one person's opinion is just that - one person's opinion. Share your work earnestly because really that communion between audience and performer is all we've got. Don't be upset by a poor review, and don't fly high from a good review. Remember that 3 stars is actually a pretty good review! It is not the disaster it may initially feel like. Just keep performing your show. Truthfully. And to quote Genet, "if it is done well, they won't be bored".
Audiences - Stay true to your tastes. See shows that seem interesting to you based on their write up in the program, poster, etc. Don't get caught up in the "hit" show - I've seen many things reviewers have touted as 5-star and been disappointed. At the same time I've seen loads of things that were "average" or worse, and been transported by fantastic writing, performances, and overall production. If you see something you like, share that with someone. If you see something you don't like, try to assess the piece on its own terms, not based on your tastes. We're a communal art, after all, so the most important thing to do is share your thoughts.
For any who usually follow my reviews, this year I'll be part of the CBC Review Crew - so the vast majority of my thoughts will be available here: http://www.cbc.ca/manitoba/features/fringe/
Happy fringe-ing (and curry-eating!)
PS - remember that loads of "fringe" shows happen outside the festival and throughout the rest of the year, so plan to FRINGE ON ;)
In honesty though, we can all get caught up in the reviews, the drama (offstage) and the politics (back stage) so lets' try not to this year, by following my simple steps.
Performers - Be honest and truthful to the show and performance you have worked on. Remember that only very rarely are we in a "hit", and that one person's opinion is just that - one person's opinion. Share your work earnestly because really that communion between audience and performer is all we've got. Don't be upset by a poor review, and don't fly high from a good review. Remember that 3 stars is actually a pretty good review! It is not the disaster it may initially feel like. Just keep performing your show. Truthfully. And to quote Genet, "if it is done well, they won't be bored".
Audiences - Stay true to your tastes. See shows that seem interesting to you based on their write up in the program, poster, etc. Don't get caught up in the "hit" show - I've seen many things reviewers have touted as 5-star and been disappointed. At the same time I've seen loads of things that were "average" or worse, and been transported by fantastic writing, performances, and overall production. If you see something you like, share that with someone. If you see something you don't like, try to assess the piece on its own terms, not based on your tastes. We're a communal art, after all, so the most important thing to do is share your thoughts.
For any who usually follow my reviews, this year I'll be part of the CBC Review Crew - so the vast majority of my thoughts will be available here: http://www.cbc.ca/manitoba/features/fringe/
Happy fringe-ing (and curry-eating!)
PS - remember that loads of "fringe" shows happen outside the festival and throughout the rest of the year, so plan to FRINGE ON ;)
Tuesday 1 July 2014
16,000 views. . . and upcoming adventures
How exciting to see that 16,000 people have viewed (lurked) this page. Someone other than me knows it exists, even if by accident!
I suppose some folks have taken notice, anyway, because I've had some great developments recently.
First, I was horribly busy over the winter, and didn't share the link to my very first published academic piece by Brunel University's Body, Space, Technology Journal! The piece was an artistic statement about my play Dear Mama performed at Sondheimfest in early 2013. You can navigate to the Journal's page here: http://people.brunel.ac.uk/bst/vol1201/kendrajones/home.html
Second, I have recently joined Theatre By The River (http://www.theatrebytheriver.com) as a member of the Artistic Company. My first adventure for the company was to host a panel discussion about their upcoming production of Mike Bartlett's Cock and Bull, being performed in Repertory this fall. We've got loads more in the works, so stay tuned for info about a project in the late fall and things into 2015.
Third (and final for now), I'm very pleased to be joining the review crew for CBC Manitoba's coverage of the Winnipeg Fringe Festival! I'm definitely looking forward to sparking conversations and debate about the shows in this year's fest from a more formal point of view. That does mean, however, that the majority of my reviewing will be found over at the CBC site rather than here. Keep an eye out, I'll link to them, too.
I suppose some folks have taken notice, anyway, because I've had some great developments recently.
First, I was horribly busy over the winter, and didn't share the link to my very first published academic piece by Brunel University's Body, Space, Technology Journal! The piece was an artistic statement about my play Dear Mama performed at Sondheimfest in early 2013. You can navigate to the Journal's page here: http://people.brunel.ac.uk/bst/vol1201/kendrajones/home.html
Second, I have recently joined Theatre By The River (http://www.theatrebytheriver.com) as a member of the Artistic Company. My first adventure for the company was to host a panel discussion about their upcoming production of Mike Bartlett's Cock and Bull, being performed in Repertory this fall. We've got loads more in the works, so stay tuned for info about a project in the late fall and things into 2015.
Third (and final for now), I'm very pleased to be joining the review crew for CBC Manitoba's coverage of the Winnipeg Fringe Festival! I'm definitely looking forward to sparking conversations and debate about the shows in this year's fest from a more formal point of view. That does mean, however, that the majority of my reviewing will be found over at the CBC site rather than here. Keep an eye out, I'll link to them, too.
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